Como si fuera primavera

With the imagination of his early years, Carlos Guzmán (1970) immersed himself in the illusory world of the Carousel of Peace, an extraordinary painting that, without knowing it at the time, would inspire him forever in this adventure of life.
Over time and without intending to, his works were filled with objects, mechanical devices, flying machines, ropes and gears. The fascination for a romantic, almost idyllic story between man and machine that develops in his works, from time to time, with a certain subtlety, lets us see the danger of this action, often creating an atmosphere of nostalgia, even anxiety about what might happen.